Research Interests
- 20th and 21st Century Literature in French, from former French colonies and the French-speaking world
- Special concentration on French colonialism
- Interests in West Africa, North Africa and Antilles
- Post-colonial theory and analysis
Research Description
Listen to an interview I did on The Author as Cannibal for the Journal of French and Francophone Philosophy! https://open.spotify.com/episode/1yfB2Zw4YcjMLVwCK9Lgs7?si=be600359cb3343bb
The Author as Cannibal: Rewriting in Francophone Literature as a Post-Colonial Genre (1969-1995) (University of Nebraska Press, 2022) shows how in the first decades after the end of French rule, Francophone authors engaged in an exercise of rewriting narratives from the colonial literary canon. In The Author as Cannibal, I present these textual revisions as figurative acts of cannibalism and examines how these literary cannibalizations critique colonialism and its legacy in each author’s homeland. I focus on four representative texts: Une tempête (1969) by Aimé Césaire, Le temps de Tamango (1981) by Boubacar Boris Diop, L’amour, la fantasia (1985) by Assia Djebar, and La migration des coeurs (1995) by Maryse Condé. Though written independently in Africa and the Caribbean, these texts all combine critical adaptation with creative destruction in an attempt to eradicate the social, political, cultural, and linguistic remnants of colonization long after independence.
The Author as Cannibal situates these works within Francophone studies, showing that the extent of their postcolonial critique is better understood when they are considered collectively. Crucial to the book are two interviews with Maryse Condé, which provide great insight on literary cannibalism. By foregrounding thematic concerns and writing strategies in these texts, I show how these re-writings are an underappreciated collective form of protest and resistance for Francophone authors.
Praise for The Author as Cannibal:
Education
- PhD, Harvard University
- MA, Rice University
- BA, Rice University
Awards and Honors
- Three-time Eras Tour Attendee
Courses Taught
- FR 156 Exploring Paris
- FR 210 Introduction to French Literature II
- FR 211 Introduction to Literary Studies
- FR 319 Francophone Worlds-Survey of foundational theory and literature in French from former colonies
- FR 323 Undergraduate Single Author Focus-Maryse Condé
- FR 324 Literature and Other Arts-Survey of foundational Cinema in French from former colonies
- FR 336 French Cultural History 1789-1968
- FR 479 Studies in Francophonie-Advanced survey of foundational theory and literature in French from former colonies
- FR 576 Graduate Seminar-Maryse Condé
- FR 579 Graduate Seminar-Colonization on film
External Links
Recent Talks:
"David Diop’s Frère d’âme: A Post-Colonial Response to WW1." Society for Francophone Postcolonial Studies Annual Conference, London, UK, November 2024
“Marjane Satrapi’s Evolving Selfie.” International Auto/Biography Association World Conference. Rejkyavik, Iceland, June 2024.
"Colonization on Film: Portraits by the Colonizers and the Colonized"-Invited Speaker-Decolonizing Images Workshop-Virtual Conference, May, 2024.
“Affiliation via the colonies: French colonial writers during World War II.” The African Literature Association. Louisville, KY, May, 2024.
“Maryse Condé’s last crossing: one final cannibalization.” Maryse Condé and Caribbean Crossings Conference, London, UK, May, 2024.
"René Maran’s Un Homme pareil aux autres: or racism on the high seas." Society for Francophone Postcolonial Studies Annual Conference, London, UK, November 2023
“Maryse Condé reimagines the Messiah, as cultural phenomenon, in the 21st century.” 20th and 21st Century French and Francophone Studies International Colloquium. Tucson, AZ, April, 2023
“Nostalgies Coloniales et des hontes inavouables: Discoveries in French-Algerian Archives.” Society for Francophone Postcolonial Studies Annual Conference, London, UK, November 2022
“On re-writing the literary canon.” Diversity, Decolonization and the French Curriculum Conference. Virtual, November, 2022
“Black bodies and French Colonial History: Beyoncé and Jay Z’s Apeshit at the Louvre.” The African Literature Association. Virtual, May, 2022
“Minority Identities Amidst an Oppressive Universalisme: The Role of the Podcast Kiffe ta Race in France.” Contemporary French Civilizations Intersections Conference, Virtual, September 2021
“Combatting Censorship on film: Euzhan Palcy's A Dry White Season and Raoul Peck's Lumumba. The African Literature Association. Virtual, May, 2021
“The place and role of the Storyteller in the transmission of knowledge in Africa.” with Roukiatou Bâ, Founding Director of the Amadou Hampâté Bâ Foundation Center for African Studies, University of Illinois-Urbana-Champaign. October 21, 2020.
Recent Publications
“The Algerian Colonial Archives after Benjamin Stora; Now what?” (Post)Colonial Archives: Commemoration, Preservation, and Erasure (forthcoming)
“Maryse Condé’s L’évangile du nouveau monde: One Final Crossing, One Final Cannibalization.” Maryse Condé and Caribbean Crossings. Hodges, Kate and Felisa Vergara Reynolds, Editors (forthcoming, Liverpool Press)
“Maryse Condé’s La vie sans fards: Cahier d’un retour au pays natal? ” Bulletin of Francophone Postcolonial Studies. Liverpool: Society for Francophone Postcolonial Studies (2022) 12.2/13.1
“Maryse Condé’s taste for history, tales in triptych.” JALA, Journal of the African Literature Association (2016): 9.2, 3-14